Paging backwards through the 1 November issue of the New Yorker magazine, I came across an amazing photograph. And then another. I hadn't seen any of them before, but after another page or two found tears come to my eyes. I knew if these great landmark photos continued to appear as I paged on, that I would start to cry. It wasn't a good feeling, knowing that a great photographer must have died.
Venturing far from his studio in the final days of his life, Richard Avedon evidently had it in mind to document, or at least create some views of, an America under considerable stress and disagreement. Born in 1923, he hadn't finished his final project. A bonus of your strongly encouraged immediate purchase? A well-reasoned and not-too-long indictment of Bush-as-president. Run don't walk to your local newsstand. And then, of course, be sure to vote.
Tomorrow I will make 40-garlic chicken for my family, but they will be out collecting chocolate treats which they will not eat. Why won't they join me for dinner?
An incredible sculpture: a Japanese Zero (the fighter plane) photographed from a model, blown up to life-size, and inflated (?!). Then, after the exhibit, burned up. Burning Man, this is Burning Plane. The artist, interviewed, was unable to put the underlying idea into just a few words. "The meaning is too complicated to explain," he said in a video that was showing in a loop in the lobby.
The restrooms on the 2nd floor of the Smith College Art Museum have been designed by artists. How appropriate is that? You must make it a point to visit both the mens and womens. Please forgive me, but it's a must go. (Bring your student ID if you want to get in free. Smith doesn't practice reciprocal art-museum admissions unless you actually work for the art museum.)
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